Born from a Cambridge University publication in 1989, Granta Books is a prestigious independent literary publisher which publishes about 25 titles a year. From their website I note that an original launch list included works by Gabriel Garcia Márquez, Martha Gellhorn and Salman Rushdie. The website lists prizewinning works they have since published, including Booker winner Eleanor Catton’s The Luminaries.
To be published by Granta is to be part of an important literary conversation.
The Topeka School is a book with a number of literary conversations and they are not always easy to follow. At the centre of the narrative is a family: Dr. Jane Gordon, second wife to her psychologist husband Jonathan (“a Jewish long-haired hippie from New york”) and her son Adam a brilliant debater and migraine sufferer. The book charts the years as Adam heads through school in a patchily brilliant way to college. The Gordon family comes to Topeka where the parents work for ‘The Foundation”, a mental health facility. At school Adam becomes a questionable friend to Darren, a traumatized teenager completely ill equipped for life in modern America.
Darren is jeered at, laughed at, punched and beaten for no seeming purpose other than he is what he represents and what he represents is
“ … the bad surplus. The man-child, descendant of the jester and village idiot and John Clare, the poet roaming the countryside after enclosure. “
A group of Darren’s ‘friends’ including Adam drive him to a lakeside spot then abandon him, drunk, drive off and leave him asleep. Darren wakes confused the next morning and has to walk home as best he can.
The key that unlocks this otherwise rather confusing narrative I believe is a response given by the narrator to Darren’s mother – a nurse at The Foundation (and therefore a colleague of Adam’s parents) – when she questions the ‘dumping Darren’ episode: surely these children of professional families knew better?
“Of course they knew better, but knowing is a weak state; you cannot assume your son will opt out of the dominant libidinal economy, develop the right desires from within the wrong life; the travesty of inclusion they were playing out with Darren-their intern- was also a citation and critique of the Foundation’s methods…”
It’s hard for people to behave outside the norm. We cannot behave any old how and yet somehow expect our children to perceive what their parents are doing wrong – all the cock ups they’ve made – and distance themselves accordingly. Sometimes that happens. Most of the time it doesn’t. Nature or nurture.
The account of Darren trying to find his way home on foot from this unfortunate escapade is interesting less for his state of mind than for the reactions he encounters or rather doesn’t encounter. No-one stops. No-one asks if he’s OK. When he is spied limping and dishevelled and walking into (the wrong) town by a woman she pulls her own children closer towards her, while completely ignoring the distress of someone else’s child.
The book seems to highlight the callous and sometimes appalling treatment of these young people by each other, but it also asks where are these exalted and professional parents while their senior school kids are beating each other up?
“Watching Friends or Frasier… doing desk work… reading Adrienne Rich or “Non Interpretive Mechanisms in Psychoanalytic Therapy”. Some were eating or opening a window or just walking dully along on a treadmill. Some were drinking gin and tonics in Taipei…”
Lerner’s book manifests the US as a country in some sort of hypnotic slide to the road crash that will become the Trump era; it is almost as if they can see it coming but are unable or unwilling to do anything to stop it. Or maybe they think that the power of psychoanalytic theory or linguistic pyrotechnics will save them, as some rather naively now think that technology will save us.
Much attention is given within the story to the skill of debate – a subject in which Adam excels. Yet the ‘linguistic overkill’ of the cleverness of debates, does nothing to address human understanding and particularly nothing to address relationships. Debate is adversarial. Someone wins and someone loses. Debate is not dialogue.
“We thought that if we had a language for our feelings we might transcend them.” Adam’s father says, pointing up the limits of psychology, as a science, as a medical approach. And the limits of language.
No-one in The Topeka School does transcend their feelings, nor surmount them, nor transform them. They just dose their feelings up with alcohol and drugs, both of the prescription and non-prescription variety. – Unsurprisingly this does little to halt the underlying tension and violence in which the story finally erupts. The building in which The Foundation is housed, itself ends up empty and comprehensively trashed and no one could claim to be sorry.
The Topeka School is work which is concerned with the legacy of toxic masculinity – a legacy of which we are all in some way survivors.
Dr. Jane Gordon says:
“Once I asked another senior analyst why he referred to male postdocs as “Doctor” and female postdocs by their first names, and there I was, on the couch again, getting the penis envy lecture.”
Her response is “…the Foundation’s unexamined Freudian tradition, which pathologized women’s experience when it didn’t fit the great man’s theory.”
The book incorporates dizzying time switches and changes of narrative viewpoint often within the same chapter. There are disintegrations everywhere, hidden, revealed. Marital collapse. The mess of politically correct parenting, the inception of abusive parenting. The sexual fantasies of those who write books on how to control the mind. It is a book about about the human cost of trying to survive within an arid monoculture.
Thank you to #Net Galley and #Granta for this review copy.